Suprematism & Constructivism (Robert Hughes: The Faces of Power) Surrealism (Robert Hughes: The Threshold of Liberty) The Late Nineteenth Century Questions & Discussionįauvism (Robert Hughes: The Landscape of Pleasure)Ĭubism (Robert Hughes: The Mechanical Paradise)įuturism (Robert Hughes: The Mechanical Paradise) The Late Nineteenth Century (Ernst Gombrich) The Two Modernities Questions & Discussion First Published 1960.Ī Course Reader with all the weekly readings will be available in the first class. John OʼBrian, Chicago: University of Chicago Press, 1993. Michael Carter, “Superman’s Costume”, in Form/Work, 4, 2000.Ĭlement Greenberg, The Collected Essays and Criticism Vol. Nikos Stangos, Concepts of Modern Art: From Fauvism to Postmodernism, London: Thames and Hudson, 1994. John Clark, Modernity in Asia Art, Sydney: Wild Peony, 1993. Matei Călinescu, Five Faces of Modernity, Durham: Duke University Press, 1977.Įrnst Gombrich, The Story of Art, London Phaidon, 1995. Robert Hughes, The Shock of the New, London: Thames and Hudson, 1991. Presentation of small group discussions 30% Plagiarism of any kind will result in automatic failure of the class. Missing more than three classes without explanation will result in an absent-fail. This is a reading-oriented course and there will be around 8 pages of English reading each week.Įach week small groups present their thoughts on the discussion questions. Presentations, discussions, and reports will also be expected to be entirely in English. This course will be taught entirely in English. Superman’s Costume and Sartorial Modernism The Nineteenth Century: Expressionism, Impressionism & Post-Impressionism Introduction, Key-terms, Kant and Early Modernism It will also touch on Postmodern Art and Modernism outside of Europe. Starting with the origins of Modernism in the French Revolution it will explore Romanticism, Realism, Impressionism and Post-Impressionism, before looking in detail at the twentieth century movements of Fauvism, Cubism, Futurism, Suprematism, Dada, Surrealism, De Stijl, the Bauhaus, Constructivism and Abstract Expressionism. Of the existence of other imagery underneath the black surface, but scanning revealed some further details.This course will focus on reading about the most significant movements in European Modernism in the visual and plastic arts. The discovery is also interestingīecause it demonstrated how closely Russian avant-garde representatives were following the developments in France.”Īpart from the inscription, the investigation that was conducted for the work’s centenary this year discovered earlier layers of paint under the monochrome surface of cracked black paint. “Malevich used Allais’s prank, but turned it into the realm of high art. Him of plagiarism, but in reality the situation is much more complicated,” he added. “Some commentators in Russia hurried to accuse “There is no doubt that the creation of Allais became the source of inspiration for Malevich,” Konstantin Akinsha, a Malevich expert, said in an email. The researchers do not know whether Malevich made the inscription while working on the painting or later. Examination revealed a Russian phrase that seemed to refer to an earlier work.
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